MUMBAI: Director Maneesh F Singh is exploring a new frontier in Indian entertainment by attempting to recreate some of the country’s most celebrated mythological stories with the help of artificial intelligence (AI). The filmmaker is working on the concept of using AI tools and emerging technologies to bring legendary Indian epics, including the Ramayana and Mahabharata, into a contemporary visual format.
The project represents an ambitious attempt to combine India’s ancient storytelling traditions with some of the newest technologies available to filmmakers. Rather than treating AI merely as a post-production tool, Singh is looking at how artificial intelligence can become an important part of the creative and visual process.
Indian mythology has traditionally been brought to audiences through theatre, television, cinema, animation and large-scale productions. The Ramayana and Mahabharata, in particular, have inspired generations of filmmakers and television producers. Singh’s proposed approach could offer another interpretation of these stories, using AI-generated environments, characters, visual effects and digital production techniques to recreate the grandeur of ancient India.
The use of AI could potentially allow filmmakers to visualize locations and sequences that would otherwise require enormous production budgets. Ancient kingdoms, celestial worlds, battlefields, forests, palaces and mythological landscapes could be developed digitally, giving the stories a distinctly cinematic scale.
For Singh, the attraction of AI appears to lie not simply in reducing production costs but also in expanding the creative possibilities available to filmmakers. AI-based technologies can assist in conceptualising characters, environments, costumes and visual compositions, while allowing filmmakers to experiment with different artistic interpretations before committing to conventional production.
However, recreating Indian mythology through AI also presents significant challenges. The Ramayana and Mahabharata are not simply fictional adventures; they are deeply embedded in Indian cultural and spiritual traditions. Any modern visual interpretation therefore requires sensitivity toward the source material, its characters and the beliefs associated with them.
Singh’s project could consequently become an interesting experiment in balancing technology with tradition. While AI can generate increasingly sophisticated imagery, the emotional and cultural authenticity of a mythological story still depends on the filmmaker’s understanding of its characters, themes and narrative values.
The filmmaker is already associated with projects across different genres, including films that have dealt with contemporary and socially relevant subjects. His reported work on projects such as Who Killed Shraddha? demonstrates his interest in developing stories inspired by real-world events.
His proposed exploration of mythology marks a very different creative direction. Instead of recreating contemporary events, the filmmaker is looking back thousands of years into India’s literary and cultural heritage while simultaneously using futuristic technology.
One of the most interesting possibilities is the creation of an AI-assisted mythological series that could appeal to younger audiences accustomed to sophisticated digital entertainment. A carefully designed production could retain the philosophical and moral foundations of the epics while presenting their stories through a visual language familiar to today’s viewers.
At the same time, AI-generated filmmaking remains an evolving field. Questions surrounding consistency of characters, historical authenticity, artistic ownership, copyright, cultural representation and the role of human creators are likely to become increasingly important as such projects develop.
If Singh succeeds in translating his vision into a finished series, his experiment could demonstrate how emerging technology can be used to revisit India’s timeless stories without abandoning their traditional foundations. The proposed AI recreation of the Ramayana, Mahabharata and other Indian mythological greats could ultimately become an unusual meeting point between ancient Indian storytelling and the digital cinema of the future.
For Indian filmmakers, the experiment also raises a larger question: can artificial intelligence help tell stories that have survived for centuries while giving them a visual identity suited to a new generation? Maneesh F Singh’s ambitious exploration may provide one possible answer.